Mike Kelley: 99,9998% Remaining
99,9998% Remaining compiles essential documentation of the most important exhibitions of Mike Kelley (1954–2012) between 1982 and 2011, with reproductions of seminal works from various periods. It offers numerous stills from legendary videos by and/or with Kelley, such as Banana Man (1983), Heidi (1992) (in collaboration with Paul McCarthy), EVOL (1984, with Tony Oursler) and Sir Drone (1989, with Raymond Pettibon).
In an essay, Harald Falckenberg, one of the most important collectors of Kelley’s works, supplies a detailed overview of the artist's various periods of development, also investigating the influence of the art market on Kelley’s production and the reasons for Kelley's suicide in January 2012.
99,9998% Remaining compiles essential documentation of the most important exhibitions of Mike Kelley (1954–2012) between 1982 and 2011, with reproductions of seminal works from various periods. It offers numerous stills from legendary videos by and/or with Kelley, such as Banana Man (1983), Heidi (1992) (in collaboration with Paul McCarthy), EVOL (1984, with Tony Oursler) and Sir Drone (1989, with Raymond Pettibon).
In an essay, Harald Falckenberg, one of the most important collectors of Kelley’s works, supplies a detailed overview of the artist's various periods of development, also investigating the influence of the art market on Kelley’s production and the reasons for Kelley's suicide in January 2012.
99,9998% Remaining compiles essential documentation of the most important exhibitions of Mike Kelley (1954–2012) between 1982 and 2011, with reproductions of seminal works from various periods. It offers numerous stills from legendary videos by and/or with Kelley, such as Banana Man (1983), Heidi (1992) (in collaboration with Paul McCarthy), EVOL (1984, with Tony Oursler) and Sir Drone (1989, with Raymond Pettibon).
In an essay, Harald Falckenberg, one of the most important collectors of Kelley’s works, supplies a detailed overview of the artist's various periods of development, also investigating the influence of the art market on Kelley’s production and the reasons for Kelley's suicide in January 2012.
