Decline of Mall Civilization by Michael Galinsky
2nd Edition
Signed
OCTOBER 4 - NOVEMBER 5 2023 // PEEL GALLERY WILL BE SHOWING GALINSKY’S WORK + HOST BOOK SIGNINGS
Backstory
In 1989, I was a sophomore at NYU when I took my first photo class, “Color Printing”. My teacher was awesome and our first assignment was to watch the film “River’s Edge“. At the time, I was dating a girl who went to Stony Brook and I’d take the Long Island Railroad out to see her every other weekend. One weekend, shortly after I had started the class and had to find a subject for my class project, I happened to go to the Smith Haven Mall with her and immediately knew I’d found a place to shoot. I was a Religious Studies major who took a lot of anthropology and sociology courses, which helped me to think of the the mall in complex ways. I was especially interested in considering the mall as something of a privatized public square. While I focused on the people, I thought about the way that they interacted with each other and the space. The teacher loved the work and encouraged me to continue it that summer. So my friend Sebastian and I packed ourselves in his Corolla station wagon and we hit the road without any real plan at all.
Our first stop was Columbus Ohio. We stayed with my aunt but we didn’t find a mall. We then hightailed it to Detroit where we hit the jackpot with the Woodfield Mall. It’s a beauty and there are probably a dozen in the book from that one. Next stop was Chicago- then South Dakota, and on and on. All in all, we hit about 15 malls. We got some great images but it wasn’t really their time. By 1989, the “Pictures Generation” – with its focus on more constructed and deconstructed images – had pushed street photography out of the galleries. They were doubling down on big ideas and conceptual work. I went on to take a couple other photo classes, but turned my attention to making music and making films. I shot a lot of images, but my main outlets for them were fanzines and album covers. I moved on to making films. In 2010, I re-discovered these slides and the rest is history.
2nd Edition
Signed
OCTOBER 4 - NOVEMBER 5 2023 // PEEL GALLERY WILL BE SHOWING GALINSKY’S WORK + HOST BOOK SIGNINGS
Backstory
In 1989, I was a sophomore at NYU when I took my first photo class, “Color Printing”. My teacher was awesome and our first assignment was to watch the film “River’s Edge“. At the time, I was dating a girl who went to Stony Brook and I’d take the Long Island Railroad out to see her every other weekend. One weekend, shortly after I had started the class and had to find a subject for my class project, I happened to go to the Smith Haven Mall with her and immediately knew I’d found a place to shoot. I was a Religious Studies major who took a lot of anthropology and sociology courses, which helped me to think of the the mall in complex ways. I was especially interested in considering the mall as something of a privatized public square. While I focused on the people, I thought about the way that they interacted with each other and the space. The teacher loved the work and encouraged me to continue it that summer. So my friend Sebastian and I packed ourselves in his Corolla station wagon and we hit the road without any real plan at all.
Our first stop was Columbus Ohio. We stayed with my aunt but we didn’t find a mall. We then hightailed it to Detroit where we hit the jackpot with the Woodfield Mall. It’s a beauty and there are probably a dozen in the book from that one. Next stop was Chicago- then South Dakota, and on and on. All in all, we hit about 15 malls. We got some great images but it wasn’t really their time. By 1989, the “Pictures Generation” – with its focus on more constructed and deconstructed images – had pushed street photography out of the galleries. They were doubling down on big ideas and conceptual work. I went on to take a couple other photo classes, but turned my attention to making music and making films. I shot a lot of images, but my main outlets for them were fanzines and album covers. I moved on to making films. In 2010, I re-discovered these slides and the rest is history.
2nd Edition
Signed
OCTOBER 4 - NOVEMBER 5 2023 // PEEL GALLERY WILL BE SHOWING GALINSKY’S WORK + HOST BOOK SIGNINGS
Backstory
In 1989, I was a sophomore at NYU when I took my first photo class, “Color Printing”. My teacher was awesome and our first assignment was to watch the film “River’s Edge“. At the time, I was dating a girl who went to Stony Brook and I’d take the Long Island Railroad out to see her every other weekend. One weekend, shortly after I had started the class and had to find a subject for my class project, I happened to go to the Smith Haven Mall with her and immediately knew I’d found a place to shoot. I was a Religious Studies major who took a lot of anthropology and sociology courses, which helped me to think of the the mall in complex ways. I was especially interested in considering the mall as something of a privatized public square. While I focused on the people, I thought about the way that they interacted with each other and the space. The teacher loved the work and encouraged me to continue it that summer. So my friend Sebastian and I packed ourselves in his Corolla station wagon and we hit the road without any real plan at all.
Our first stop was Columbus Ohio. We stayed with my aunt but we didn’t find a mall. We then hightailed it to Detroit where we hit the jackpot with the Woodfield Mall. It’s a beauty and there are probably a dozen in the book from that one. Next stop was Chicago- then South Dakota, and on and on. All in all, we hit about 15 malls. We got some great images but it wasn’t really their time. By 1989, the “Pictures Generation” – with its focus on more constructed and deconstructed images – had pushed street photography out of the galleries. They were doubling down on big ideas and conceptual work. I went on to take a couple other photo classes, but turned my attention to making music and making films. I shot a lot of images, but my main outlets for them were fanzines and album covers. I moved on to making films. In 2010, I re-discovered these slides and the rest is history.
